5 Dec 2016
Two paintings which have been with me for quite a long time have just found the same new home. Even though I'll miss them, it's so much better for them to be out, doing their own thing; running in the fields and gambolling in far-flung meadows. So farewell to them and may they bring much happiness.
I made a post about the top painting, 'Going to See a Man About a Dog' around the time it was completed (2010) but since then, the post has been lost somehow. However, thanks to the Wayback Machine internet archive, I found this snapshot of the text I wrote:
3 Nov 2016
‘In most circumstances an illustrator will respond to a brief which is communicated either through written or spoken word. As supporters of visual literacy, Illustrators Ireland propose to tell our visual stories, putting the pictures first- without the words. Here we tell our stories; visually stimulating the imagination to respond by creating an individual narrative, not a prescribed story’.
‘We are thrilled to present this exhibition and showcase the wonderful variety of works by Illustrators Ireland. Throughout the course of the exhibition, Luan Gallery is offering up its River Gallery space to a participatory project entitled ‘The Big Picture’ in conjunction with Laureate na nÓg PJ Lynch. Here, visitors to the exhibition will be invited to add their own illustrations directly to the wall, responding to the works on show and resulting in one large evolving time based mural. So come one, come all and draw on the gallery wall!’
10 Oct 2016
There's an Illustrators Guild of Ireland group show coming up soon (I'll keep you posted). It'll be in the Luan gallery in Athlone to begin with but will then swim around the country. The IGI has done quite a bit of that kind of thing; it works a treat to get the membership known more widely.
I had the presence of mind to film part of the process of making this painting only at the outset -as usual, I then became embroiled in the little world I was creating and forgot about the camera. Still, that makes for a short, easy to view movie. It's only a minute long although the artwork took about twelve hours to complete. There's a bit of lively, upbeat jazz to help you with your viewing, so if you're at work, do turn the volume down!
I painted a complete underpainting in monochrome first, which is a technique that I'm currently teaching in my art class (it's the friendliest and best art class in the entire world!). The method is very popular with my students as you can provide yourself with a lovely 'safety net' before you ever embark on the colour work.
Speaking of nets; this art is for a curated show, so everyone has to submit their work for review, so there is the possibility of rejection and being thrown back in the lake. Fins crossed.
You've probably noticed that the background isn't New York or London -I made it up, but it does have the big city feel about it. I fancied that the fish could be some kind of Don Draper figure, arriving in Manhattan to his ad agency. A big fish in a huge pond. After all, the piece does have a kind of fifties retro feel.
3 Oct 2016
Last week a job with a tight deadline came through from Toronto. It was for an ad agency who wanted three different quirky versions of the da Vinci's Mona Lisa. So three artists were assigned one each. I haven't seen the others but I'd love to; it was such an enjoyable project.So here's my version, 'The Selfie Mona Lisa'. I had my daughter hold a phone and pout in position for a reference photograph; I also found some very good photos of the original on line.
There's also an Isleworth Mona Lisa, which it's believed, da Vinci painted before he made the famous one with the enigmatic smile. This is the Mona Lisa that Raphael drew while studying under da Vinci. For my Selfie Mona Lisa, obviously I had to parody the most famous, later painting.
That's where I went to school, by the way; Isleworth. And incidentally, Van Gogh also taught in a previous incarnation of my secondary school. He taught Maths and religion, apparently. Famous place, Isleworth...
So, in true old master form, I painted a brunaille and glazed it with colour. All in acrylics, mind; in order to give it something of the appearance of the original. Da Vinci''s painting took something like three years to complete. Perhaps that's why da Vinci didn't get the job; ad agencies are sooo pressed for time. And he doesn't return calls.
Agency: John St. Advertising. Creative Director: Rick Mayzis. Client: innoviCares Medical.
23 Sep 2016
25 Aug 2016
We just got back from France on a late flight last night. A long journey to Beauvais airport from Merlimont in 30º heat and back to half that in Dublin. Still, it's great to be home, whatever the weather. A few weeks ago, I slammed the seat of my motorbike down on top of my lovely smartphone and, wait for it...then rode off for about twenty miles before I needed to call home and couldn't find my phone. After going through the usual process of patting my pockets and shuffling around in small circles looking in the grass at the roadside, I realised what I'd done. There was my phone, wedged nicely at the hinge end of the seat. I stared at the mangled phone and made tiny sobbing noises for a while. I also uttered very many oaths and curse-words but to no avail.
The upshot is, I was mostly offline for the week in France, which turned out to be a good thing as I wasn't peering into the screen looking for signs of work projects which weren't there anyway. I used instead, an old Nokia phone which we keep as a backup for my frequent phone mishaps. I find it amazing how I've been seduced by the promise of always-on connectivity. I felt bereft because I couldn't post anything to social media. Pathetic.
So, I've made a decision and it's final: I'm going straight out this afternoon to buy another smartphone.
Below is a drawing from my sketchbook. It's cross-hatched using a fine-line pen. I was leafing through a French copy of Graffiti Art Magazine and came across an artist from Catalonia who calls himself Popay. It's difficult sifting through another language for details when you're standing in the middle of a newsagent's shop reading the magazines when they want you to actually buy one. After seeing the €7.90 price tag, I spent some time pretending to browse other magazines and then patting my pockets as if I'd forgotten my wallet (Note: This practice can also be useful), I exited the shop, replete with half-learned information. The things I do for research, honestly: I should be awarded with l'Ordre national de la Légion d'honneur for services to art.
There were some drawings of his reproduced amongst all the colour work. I really liked them and that sparked off a series of sketches in my sketchbook.
28 Jul 2016
A monochrome print from my summer 2016 show: Flights of Fancy. Hand printed from a linocut. A limited edition of 25.
I had this composition ready to go but I wanted a title that fitted, so I got talking to Nicola in KM Evan's art shop in Dublin. He's Italian and we share an enthusiasm for Vespas. Anyroad, I asked him to translate 'The Feathered Ones' and he told me it doesn't really translate. I Piumati is the closest he could get in meaning and intent.
You can see my printing press below (it's the spoon) and the lino from which I carved the image.
All I can say is, grazie mille, Nicola.
Image approx A5 on a 12" x 14" fine grain watercolour sheet.
27 Jul 2016
This shows the bould Sir William in the famous hurling match between Kilkenny and Tipperary in 1214. Kilkenny pipped it as they had heavier cavalry and crossbows.
Acrylics on Arches watercolour paper. A5.
25 Jul 2016
The Illustrators Guild of Ireland (IGI) is taking part in an exhibition at the Island Mill in Thomastown starting on August 5. I'll be part of it with my painting 'Sir William Marshall', below.
20 Jul 2016
Click on the above picture as it's actually a slideshow. ^
I'm currently engaged in making another linocut limited edition print (of 25). I wanted to make the description of the kingfisher a little simpler as I have only 5 flat colours to work with. Also, I had to make a jig to make registering the plates more accurate and not have the colours printing in the wrong place.
I chose to print on a fine grain watercolour paper instead of a smooth one as I want to see texture rather than a purely flat colour. This introduces yet another variable to the process which makes each print unique.
3 of these are already sold.
The image is roughly A5 on an A3 sheet of Fabriano fine grain 140lb watercolour paper. Signed and embossed with my studio stamp.
"Halcyon". Unframed €95. Order this handmade, original print here on Etsy.