I spent a morning, along with fellow illustrator Padhraig Nolan, learning from Irish portrait artist Oisín Roche [One of his many portraits above]. He's an artist who has studied the techniques of the great portrait artists of the past and has a phenomenal grasp of how to describe flesh tones [along with everything else]. As an illustrator, I rely a great deal on whatever my own inner vision generates and what my drawing skills can support, and true-to-life depictions aren't absolutely necessary when the message of the illustration is paramount. However, I feel that I'd like to continue to strengthen my basic drawing and painting skills -because that's what has always attracted me to art anyway, and there's always something to learn. I picked up a great deal even in the first minutes and it proved to be an invaluable few hours overall. Especially with regard to the palette -I've never been one to limit myself to the basic few colours really needed to complete a painting! I'm looking forward to the next session...I'll keep you posted. Meanwhile here are a few pictures from the session -showing Oisín's own work. Sorry about the picture quality; I had to use my phone's camera and it has a lens the size of a gnat's chuff. [Don't get technical -you'll lose them -Ed]
As this was a study, Oisín mentioned that the reason for drawing the subject in charcoal directly onto the canvas was to save time getting to the colour work. I'm not quite sure how he would've approached the task otherwise.
The charcoal drawing was spray-fixed and a wash of burnt umber acrylic applied.
And the study in oils begins...I'll bring a decent camera the next time.