Home of Kevin McSherry: Artist, illustrator, storyboard artist. Imaginative painter in traditional media and digital for the Wall Street Journal, Sunday Times, Chamber of Commerce Japan, Canadian Teachers' Pension Plan and many more.
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Digital Speed Painting
A painting/illustration made entirely in Affinity Designer and a Wacom drawing tablet, off the top of my head. I wanted to complete a digital image without first drawing a sketch and scanning it into the PC.
The Fundit.ie campaign for my upcoming show, 'Flights of Fancy' is a few hours from closing and has exceeded expectations. Thank you all for the support and I'm currently working on the rewards for you.
I've attached a design for a poster which will go onto a sandwich board outside the space -and elsewhere around the locality as we come up to the opening date. In the spirit of crowd-activity, do let me know what you think. Squawk! http://fundit.ie/project/flights-of-fancy-art-exhibition
Last week a job with a tight deadline came through from Toronto. It was for an ad agency who wanted three different quirky versions of the da Vinci's Mona Lisa. So three artists were assigned one each. I haven't seen the others but I'd love to; it was such an enjoyable project.
So here's my version, 'The Selfie Mona Lisa'. I had my daughter hold a phone and pout in position for a reference photograph; I also found some very good photos of the original on line.
There's also an Isleworth Mona Lisa, which it's believed, da Vinci painted before he made the famous one with the enigmatic smile. This is the Mona Lisa that Raphael drew while studying under da Vinci. For my Selfie Mona Lisa, obviously I had to parody the most famous, later painting.
That's where I went to school, by the way; Isleworth. And incidentally, Van Gogh also taught in a previous incarnation of my secondary school. He taught Maths and religion, apparently. Famous place, Isleworth.…
Lately, I've been doing more and more 'brunailles', in other words, three colour paintings usually made in order to establish tone before glazing over with colour. I was captured by how much expression can be made without very much colour at all.
Also by the way the light pigment (in these cases, Sennelier's Warm Bright Yellow) seems to almost emit light. These old nurse's uniforms look fantastic where the white parts are represented thus.
You can 'tip' the emphasis from cooler to warmer greys by adding more ultramarine or burnt sienna to the three colour mix -as you can see in the warmer, redder cast to the second painting.